Halep
2011 -
2013
ZULEYHA ALTINTAS DEMET TASPINAR BEAT THE SEANICOLE RIEFOLO ARTTRANSPONDER BERLINERPOOLHURI KIRISDENIZHAN OZER DORIS KOCH MANUELA MACCO SYLVIO PALLADINO ECE BUDAK BANU TAYLANSTEFAN ENDEWART RUSSEL ZEHNDER SECIL YAYYALI ISA ANDREUADDITIONAL KOSAR NANCY POP MALIN LENNSTROM NURGUN OZMELEK KOTTI SHOPARTPROJECTBROCKMANN ELMAS DENIZ OZGUR DEMIRCI NICOLE DALDANISE TURKAN AKKULAK KOC BANU TAYLAN COCKAIGNE RUM46 YAVUZ KILICER ELIZABETH ARO AMINA ZOUBIR DIDEM DURUKAN JOMA CIGDEM MENTESOGLU DEMET YALCINKAYA KAREN BARTRAM BERND RIEHM BARIS MENGUTAY GONUL NUHOGLU MEDIUM FORMAT VALENTINA CROW ANGELO MOLINARI FERNANDO GARBELOTTO GIORGIO CAIONE JULIA IRENE SMITH JOHANNES WILLI BENI BISCHOF EVELINE WUTRICH DOMINIC CAROLYN RIDDELL OLIVIA VALENTINE ASLIEMKERIM BIKKUL ANJA UHLIG
residency
Mk Yurttaş
SWEET SCHIXOID 😍🫠1423 Lax UNVEIL
6 May - 3 June 2026
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Lax, the loose machine, became obsessed with the level difference at PASAJ’s Barın Han venue (just as he had fixated on the sheets of paper spread out on the tables at the previous Tarlabaşı restaurant space, where he had covered the entire venue up to waist height with semi-transparent paper). Here, upon entering through the door, you descend three narrow steps to the floor, and the large enclosed balcony at the back is another (invisible) step higher. During the “Small Things” artist-in-residence program, Lax aims to connect these two levels—the large balcony step aligned with the final step before reaching the ground.
Through experiments with the temporary, metastable alignment between the two levels, and through small interventions that might emerge from collaborations with various performative agents... The experiments continue to explore the concept of posthuman metastability, which has evolved from UNVEIL’s previous projects: simultaneously and at every moment (both)/(what) consistent, stable, balanced, and alive, (both)/(what)/(and) yet the opposite.
TATLI ŞİXOİD 😍🫠1423 The Lax UNVEIL project proposes an environmental manifestation that emerges from an investigation into states of drifting beyond the boundaries of two distinct states.In this workshop, which follows a 3-week + 1-week schedule, participants take part in and/or observe the activities of Mk, Lax, and others on Tuesdays, Wednesdays, and Saturdays. On the first Tuesday, the Alignment Experiment Sets—which form the project’s framework—are set up in the space, and the experiments begin.
The studio is open to visitors three days a week, and every Saturday, visitors are invited to attend public programs such as performances, workshops, exhibition tours, and artist talks. During the final week of the three-week program, the performances created throughout the live process and the final versions of the documentation are exhibited.
Mk’s practice is a research project known as “mikaye.” mikaye is a schizoplane where fictional characters—including Mk—are interconnected. In mikaye, the characters live and create together. Although each may have a distinct name, none possesses a clear, fixed appearance, mode of production, or identity. They enjoy flowing into one another, diving into one part of the plane and emerging from another persona, sometimes remaining deep within for months, only to be presumed lost. Mk earned a Bachelor of Architecture from Istanbul Technical University (İTÜ) and a Master’s degree with a thesis titled “Body-Space Hybridisation in the Context of the Postorganic Paradigm”; he also received a Doctor of Philosophy (PhD) degree from Yildiz Technical University (YTÜ) for his research titled “The Posthuman Body as an Interdisciplinary Concept in Contemporary Art.” Mk, who was accepted into the Central Saint Martins MFA Program on the strength of the same research, received the American Turkish Society’s Artist Support Award in 2021 and participated in the School of Visual Arts, New York’s Artist Residency Project as a visiting artist. In 2022, she led video performance workshops as part of the 17th Istanbul Biennial’s “What Do Birds Think?” project. Mk, who participated in the SAHA Studio Artist-in-Residence Program in 2025 and led workshops on performance art at the Universidade Lusófona de Lisboa, continues her artistic and academic research through collaborations with Performistanbul and at Haliç University.
residency
Eduardo Cruces
Looking for a Ghost Stream
as part of AIR Bayrampaşa research residency
During his artistic residency, Eduardo Cruces explores the Bayrampaşa district and its surroundings in search of traces of the Lykos (Bayrampaşa Deresi), whose course is no longer visible. This imaginative investigation invites us to trace the transformation of the landscape and its inhabitants over time, like a “ghost stream” flowing through different dimensions coexisting with the present.
Eduardo Cruces (Lota, 1987) is a Chilean artist and writer who has lived in Istanbul since 2021. He holds a Master of Arts in Public Spheres from édhéa, Switzerland, and a Bachelor of Fine Arts specializing in engraving from UdeC, Chile. He currently also works as a Spanish teacher. His personal and collective research focuses on the intersection between collaborative artistic practices and sociopolitical contexts, particularly in places/zones transformed by economic cycles.
podcast
Once Upon a Time, Art and Life
podcast series
Project Concept: Zeynep Nur Ayanoğlu and Seçil Yaylalı
Jingle: Composed, performed and recorded by Ali Uygur Erol.
Jingle Performers: Zeynep Okyay and Brett Sroka
Poster Design-Sound Edit: Selin Atik
Special Thanks to Sinan Eren Erk
"Once Upon a Time: Art and Life" is a six-episode podcast series about collectives, the art market, networking, and how artists survive in different countries worldwide. The project was funded by the EU's Sivil Dusun program.
project
Small Pains Great Songs
Conceived by PASAJ’s co-founder Seçil Yaylalı, Small Pains, Great Songs is a collection of artist books shaped by personal struggles and the inner fractures of artists. Each mini book—small enough to fit in the palm of a hand—contains its own distinct and unique world. The great creative forces born from the artist’s inner pains take form in these tiny objects. Every book carries its own aesthetic language and emotional depth. The project invites artists to use small books as a form of free expression and to make their artistic practices visible through these intimate formats.



















